Text... Your Way!

Text...options beyond the Photoshop menu.

Many times you'd like to have your text in bold, or italics, but the options aren't offered in the Photoshop selection dropdowns. If you accept these limitations, you'll be forced to compromise.

But it doesn't have to be this way! You can have it YOUR WAY!

In the case of italics, you simply type your text, then right click on the text layer in your layers palette and select RASTERIZE LAYER. That will change your "text" into a "shape". (Be sure your spelling is correct because after you rasterize you can no longer change the individual letters or font without starting over).

Once your layer has been RASTERIZED (turned into a Photoshop shape) you can then use EDIT>FREE TRANSFORM to slant your text into italics. Hold down the Ctrl key as you drag your top corners to the right and you can achieve any degree of italic slant.

BOLD text can be achieved by simply making a copy of your text layer and changing the BLEND MODE on your new (top) text layer to MULTIPLY. And/Or, you can use the same method we used for italics, RASTERIZE to create a shape layer and then use TRANSFORM to make it just a bit larger too.

Photoshop gives us a lot of great gifts to work with, but it's nice to know we can still exchange them for what we really want. Options...who among us would not like more?

Robert Schwarztrauber

http://photoshoptipcards.com

Reminder...Only a few days left to get your "Photoshop Recipe Card" book in the FREE Holiday Gift Box. Order by this Sunday (Dec. 19) to insure delivery by Christmas.

Actions...Consistant, Time-Saving Results

Everyone laughed at Bill Gates. Crazy they thought. A computer in everyone's home? What for? All they do is multiply and subtract numbers at lightening speed.

But nobody's laughing at Bill now! Bill realized how much more potential computers really had. Now, in addition to being our favorite creative tool, they are also the worlds favorite communications device.

But still, at it's core, the computer is great for performing acts of repetition. And sometimes we need that in Photoshop.

Whether we want to process a folder of 100's of photos or just repeat a special effects process that someone else created, we can do that with Photoshop Actions. At the push of a button!

Enjoy this introduction to Photoshop Actions in the video below.

10 Most Common Workflow Elements

 

Whenever I'm asked to teach someone Photoshop, I always start with the work flow techniques I find most useful. After all, learning how to seamlessly apply the LIQUIFY tool will hardly be a good use of time if the most basic elements of your photo are out of whack.

So, here in this post I'll tell you my Top 10 Most Used, most essential techniques for creating great images. These are 10 common elements that I use 100% of the time when I edit an image in Photoshop - and why. In just a general order of importance:

1. LEVELS - under LAYERS - NEW ADJUSTMENT LAYER - LEVELS 

To set the overall photo exposure (lightness or darkness). Use the histogram image to drag the light (rt slider mark) or dark (left slider mark) in to just  touch the edge of your histogram image. If you go beyond the touch you will be clipping pixel from your image. Sometimes that's OK, just a word of caution.

2. CURVES - under LAYERS - NEW ADJUSTMENT LAYER - CURVES

This allows me to add just a bit of contrast to create a more intense image. I've covered this elsewhere on the blog so I just restate that it basically puts just a slight "S" curve to the diagonal line. Also, I'll use CURVES to adjust the white balance if needed. Just click the white eyedropper and then sample somewhere on your photo that is supposed to be white. Zoom in if needed. The white of someones eyes are often good reference points (but not if it's you're buddy who was out drinking all night!)

3. CLONE STAMP - in the tool palette by your eraser and paintbrush. Hardly ever get an image without some spot, pimple, reflection, shadow, ghost, or intrusion that doesn't need to be covered up.

4. Ctrl-J  The ultimate layer duplication shortcut. What more can I say?

5. FILTER - OTHER - HIGH PASS, my preferred sharpening method. Use Ctrl-J to duplicate the layer you wish to sharpen. Once in, slide the marker to the left until most of the color is gone (usually pretty low on the scale, <10.) Click OK. Change the blend mode on this layer to OVERLAY. Adjust the blend mode opacity to less that 100% if it looks too sharp. Use Ctrl-E to merge this new layer down over your original and you're done.

6. MASK - the layer mask (icon that looks like a rectangle with a white circle in it) when added to a layer let's you selectively paint in or out the parts of that layer that you do not want seen. Painting with the BLACK brush will hide (or MASK) anything on that layer. 100% opacity will mask completely. Use less that 100% to fade the hiding or blend to the surroundings. But it's reversible! If you want to change what you did with black, paint it back using white!

7. RECTANGULAR MARQUEE - it's the crop before the crop. Use the rectangular marquee to copy portions of your image to a new layer for further editing. Until you figure out just how much of the photo to keep, the rectangular marquee gives you time to play with your image a bit and still undo your changes. Once you use crop, all the surrounding area of your photo, down through all the layers is gone.

8. Ctrl - New Layer Icon - this puts a new layer BELOW the one currently active. Photoshop will put your new layer always directly above the one currently active unless you give it a modifying command like Ctrl. I use this mostly for background coloring, isolating layers,  previews, or creating frames or borders.

9. Ctrl - Alt - Shift - E - this command will merge all the visible layers together into one, like FLATTEN, but with one critical distinction...all the previous layers remain in their original state. Flatten is a true merge, all of your layers will be combined into one layer which means you will lose the ability o go back and make changes if you don't like the way they blended. However, Ctrl-Alt-Shift-E will create the composite just like FLATTEN, but will do so without actually removing all the layers. It's like a great reversible PREVIEW of flatten, before the actual flatten. To use: Create a new blank layer at the top of the layers stack, then press together Ctrl-Alt-Shift-E.

10. CROP - almost everybody needs more Crop. The great photographer Robert Capa once said,  "If your photographs aren't good enough, you're not close enough."  Well, if at the Photoshop editing stage, there isn't anything we can do to physically get closer to our subject, but we can simulate the effect of closeness by zooming in. Compose your photo using the Rule of Thirds and the CROP tool to get rid of any elements that distract from the story your photo was supposed to tell.

That was a long post, but hopefully helpful.

At the risk of running on, I would be remiss if I didn't tell you that from now (11/9/2010) until December 24th the beloved PHOTOSHOP RECIPE CARD books will be shipped in their very own FREE GIFT BOX!

So whether you order for yourself, or for that special shutterbug on your Christmas List, these cards will make a wonderful holiday gift. Just click on the link here > PHOTOSHOP RECIPE CARDS< or the RECIPE CARD ad at the top right.

In my next post, I'll show you how I created that crazy word graphic above in less than 30 seconds!

Robert Schwarztrauber

Yesterday I promised if you stayed tuned I'd have a great Photoshop deal for you.

Shane Goldberg, an expert Photoshop teacher,
sent me an email the other day I knew I'd
have to share with everyone.

Rather than drone on, he's given me permission
to share that email with my readers here...
================================
Hi Bob,

I need your help.

I've got 600 Photoshop Elements Training DVD's in my garage.
I HAVE to get rid of them (for a number of reasons) NOW!!!

They were selling for $89.95 but they're getting older now
and there's new versions of Elements out now etc.

Anyway, here's the link it's directly to Paypal.
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=MWEBZDCDCEQF6

I want you to have one even if you don't own Elements as
there are 85+ video tutorials on there, practice images
and the DVD is a GREAT Christmas present! (it's shrink wrapped
and professionally produced)

So for $10 that will cover my shipping and you get yourself
a killer DVD for yourself or someone special ;)
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=MWEBZDCDCEQF6

Have a great day, Hope you can help me out!

Thanks heaps,
Shane
PhotoshopZoo.com

p.s. You can order as many as you want, i've got stacks of them!

p.p.s if you have any questions let me know shane@photoshopzoo.com
=======================================================
He says...

This DVD includes...

85+ Awesome Video tutorials on everything from:

    * Organizing & Tagging your photos
    * The Tool palette (all about the tools!)
    * Tips, Tricks & more cool stuff
    * Color - Hue & Saturation (color adjustments)! Very cool
    * Layers, Layer Masks etc.
    * Digital Photo Editing
    * Cool Effects in Elements
    * and Productivity Techniques....

That's it over 6 hours of awesome video tutorials
=============================================

Looks like a great deal to me!
I got mine without hesitation.

For $10...how could you go wrong?
You'd have to learn something right?

Just to be upfront, there's nothing in this deal for me.
I have no ties to Shane, monetarily or otherwise, beyond
my respect for his work. I just thought it was a deal
that was too good for any Photoshop student (and aren't
we all really?) to pass up.

But, he's movin' them out before his wife does
it for him. So this offer won't last long.

Stretch your ten dollars and get this DVD.
Here's the link once more:
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=MWEBZDCDCEQF6

by Robert Schwarztrauber

Stretching for Elements Users

Stay tuned...

I'm planning something big for my oft neglected Elements users.
If all goes well you'll be very happy with me by the end of this week.

If all doesn't go well, at least you'll know I tried.
I'm thinking about you.

============================================
While you're waiting, I hope (if you haven't already)
you'll take a couple minutes to help me with
my research project on the effects of Photography
on those who do it.

It's a simple 10 question, multiple choice survey.
It's completely anonymous.
No names. No emails. No offers.
Pure and simple research. 10 questions.
And unlike school, no one fails.

Why not take a minute (while you're waiting)
to give me your take on Photography?

Here's the link:
http://www.surveymonkey.com/s/BMG3WNP
===========================================


Thanks and Stay tuned!

Control Your Photoshop

I still remember the joy I felt
when I realized that I finally "got it".

After months of frustration,
opening then just as suddenly
closing Photoshop, in a huff
because I couldn't figure out
how to make it work,
the day finally came when
I could edit a photo.
Poorly at first. But my
learning curve rose sharply
from there.

Control had shifted. Now I was in control!

And so today I bring you some of my favorite
CONTROL keyboard shortcuts
to help you tame the Photoshop beast.

And, I'll show you where to get a PDF list of
all the Photoshop keyboard shortcut commands
for your system.

And, If you haven't yet contributed to my
research study on what photography means
to you, I'll give you that link again. It will help
me tailor my messages and tips to your desires.

So first, here are my favorite "Control Freak"
keyboard shortcuts...

Ctrl-J  Duplicate the current layer
Ctrl-E Merge your current layer to the one
            directly below (merge down)
Ctrl-H Stop those "ants" from marching
            Repeat to make them start again
Ctrl-Z Undo your last command
Ctrl +  Zoom in
Ctr l-   Zoom out
Ctrl- Left mouse click on Layer Thumbnail
         (creates a selection of the entire layer
          with marching ants and everything!)
Ctrl-  Click on create New Layer icon to
         put your new layer BELOW the current one
Ctrl-Alt-Shift-E  Create a new layer then use this to
                          Merge all active layers together
                          (it's like flatten all layers but the individual
                           layers are preserved so you can still
                           go back and make changes if you wish.)

Well, that should help you take control and gain some speed
in your editing.

======================================

I hope you can help me in my research, The results
have been very interesting so far. It's just 10 simple
multiple choice questions in an anonymous online survey
hosted by SurveyMonkey. I'll be sharing my findings
here in a later post so make your thoughts known!
Here's the link, it will just take you a minute
and help me a lot...

http://www.surveymonkey.com/s/BMG3WNP
====================================

Finally, If you want a complete PDF of all the
keyboard shortcuts for:

    * Adobe Photoshop CS4
    * Adobe Photoshop CS3
    * Adobe Photoshop CS2
    * Adobe Photoshop CS
    * Adobe Photoshop 7
    * Adobe Photoshop 6
    * Adobe Photoshop 5
    * Adobe Bridge & Adobe Camera Raw

Go Here:
http://morris-photographics.com/photoshop/shortcuts/index.html

That's it for today!
I hope you took time to complete the survey above.

Look 10 Years Younger...in Less than 30 Seconds!

Babies know the secret to looking young...it's softer skin!

In today's quick tip I'll give you the fastest way to turn back the hands of time on those of us who no longer wearing our original birthday suits. The fastest Photoshop way, that is.

Here's a tip ripped straight from the pages of "The Original Photoshop Recipe Book"  Page 41 to be exact.

Skin Soften with High Pass Filter

Step 1: Duplicate your background layer
Step 2: Change the new layer's BLEND mode to OVERLAY
Step 3: Go to FILTER > OTHER > HIGH PASS
Step 4: Set the pixel value to 9.5 and click OK
Step 5: Press CTRL-I to invert the layer (photo will get blurry)
Step 6: Begin reducing the layer OPACITY until a nice skin smoothness
is obtained.
Step 7: Add a layer mask and paint with a soft brush (color:black)
over features that should be sharper (like eyes, inner lips, teeth, hair, etc)

In less than 30 seconds you can remove years from the faces of those you love. (or those you are trying to sell portraits to!)

BONUS: This will also help to diminish the appearance of stray hairs across the face, acne blemishes, scars and blotchy skin! A 30 second cosmetic surgery!

Be sure to sign up for my Photoshop Tip Group using the form in the right-hand column. That way you'll never miss out on the ONE tip that might have saved your project!

Also, be sure to join us on my new Facebook Group. It's called "Photoshop Friends". Just type that into your Facebook search (without the quote marks) to find us. Share your favorite photos with us!

Also, if you like this post and want to see more like it, be sure to click the [f] in the toolbar below to "Like" this on FACEBOOK. Thanks!

The Greatest Photoshop Tool

The greatest Photoshop tool can't be found on any toolbar or menu.

It's seldom talked about in any manual, tutorial, or DVD.

However, when used well, it can completely transform and elevate your photos. And draw favorable attention and applause from those who view your work. Happily, this tool doesn't even require that you have any great Photoshop skills to use it.

That one extraordinary tool is your imagination.

Consider the sample photo above which contains only three simple elements:

1. A colorful photo of a woman (marching in a parade)
2. A photo of my arm holding a paint brush
3. A color-filled rectangle (with a portion erased)

Essentially it's two cutouts and a drawn colored box. Two techniques easy to master with any assortment or combination of tools in Photoshop.

And once I have the cutouts I can re-use them in any number of different scenes. Even create a series of prints.

Sure you say, imagination is great. But I'm just not very creative.
I can never think of what to make.

Fortunately, there is a way to boost your powers of imagination.
It's EASY and it's FUN!

One of the simplest ways is improve your imagination, your thinking, your ideas about what's possible is to surf the net. There are hundreds, thousands of websites you can go to to see what others are doing. To get ideas.

My favorite happens to be Flickr.com because of it's variety. Surf around, join some groups once you hone in on a style that interests you.That's how I got hooked on OOB's (out-of-bounds). Essentially photos within photos that take on a 3-D look.

Next time you're feeling creative, but lacking in ideas to get started, look around. Fire up your imagination by surfing around a while. Or go the museum and get a feel for the composition and colors used by the masters.

Not to create a poor copy of someone else's work, but to stimulate the almighty power of your brain.

Then dice up some old photos that aren't good as a whole and use those pieces to create yor own Photoshop masterpiece.

The mind. It's a terrible thing to waste.

And one of your greatest Photoshop tools.

NOTE: While you have to build your own imagination, I can help you build all your other Photoshop skills with the new, PHOTOSHOP RECIPE CARDS. It's one of the best, and most inexpensive resources available for putting the full power of Photoshop at your fingertips.

With PHOTOSHOP RECIPE CARDS you don't have to learn Photohop, you just DO IT!

If you'd like to get more information, just click the link below:
http://photoshoptipcards.vpweb.com/New--Photoshop-Recipe-Cards.html

Know Shadows

Shadows.

Like so many things in Photoshop there
are numerous ways to create a shadow
effect.

Previous I had discussed duplicating the object, desaturating, blurring and putting on a layer under your subject. Then adjusting with the move tool.

That method works great.

But sometimes you just want a quick and easy little touch of shadow.

And that's where the oft forgotten "BEHIND" brush mode comes in.

Most often we use the brush tool in its default mode of NORMAL.

But right next to your brush tool selection box is the MODE selection drop-down box. In there you will find the option of BEHIND which will let you paint behind something. Perfect for shadows. BEHIND mode lets you paint but the paint will only show where there are no opaque pixels.

If you already have a transparent background you're all set. Just go ahead and use the brush to paint in your shadow. Set the brush to a very soft edge and an opacity of about 30%. I used a soft square brush for the example above.

Sometimes, as was the case with this example, you need to first move your shadow subject onto its own transparent layer. Then you can go ahead and paint in your shadow. If you were to try to paint on the original that has a  white background (completely opaque) when you try to brush you will see nothing happening. Remember, in BEHIND mode the brush will only paint where the area is transparent. It will not paint over opaque (in this case white) pixels.

It's not for every case. But sometimes you just need a quick shadow technique. Maybe you can think of other uses for this cool, paint behind technique?_

Be sure to click on the example above for setting and layer details.

Replicate Layer Styles with Ease

 

Today's quick tip can make your Photoshop work faster and easier.

If you've ever spent tedious, meticulous time getting a particular layer style just right, and then wanted to replicate that same style on another layer, this tip is for you.

Instead of trying to redo each setting (ie. drop shadow, bevel and emboss, contour levels, etc) simply hold down the "ALT" key and drag your effects to the new layer and drop'm.

All of the settings will be applied to your new layer just as they were on the original layer. 

Now that's quick and easy!

My kind of Photoshop!

by Robert Schwarztrauber

Photoshop Conversion to Black and White

 

The great thing about Photoshop is there are almost always several ways to accomplish the same result.

The bad thing about Photoshop is we often get confused with all the different ways there are to accomplish the same result.

One technique that often makes good pictures better is turning your digital colored photos into Black & White images.

"Why do that," you ask?

Sometimes, the many different colors or patterns in a photo distract from the overall appearance. Or, sometimes you want to feature only one particular aspect of a scene  - and that can be done with selective color. That's accomplished when you turn the original image to black & white and then allow only your chosen feature(s) to be in color.

Here is a reminder of the most popular ways to turn a colored image to black & white:

Image - Adjustments - Desaturate

Image - Adjustments - Gradient Map (preferred for preserving details) be sure palette set to default B/W

Image - Mode - Grayscale

Image - Adjustments - Threshold (absolute black or white, no grayscale here)

Layer - New Adjustment Layer - Hue/Saturation (move saturation slider max. left) good for selective color by later using layer mask to bring areas back to color

and for the more artistic look...

Filter - Sketch - Chrome

Filter - Sketch - Conte Crayon

Filter - Sketch - Graphic Pen

Filter - Sketch - Halftone Pattern

So next time you've feel the need to go Black and White, plan a few extra moments to try out something new.

From Mess to Marvelous!

Click the Pic for a Bigger, Better Look!

Michelangelo, the famous Italian sculptor said, “I saw the angel in the marble and carved until I set him free.”

Perhaps as modern photographers we could find a similar expression in, "I saw the angel in the digital image file and Photoshop'd until I set her free." Not nearly as poetic as Michelangelo, but I think appropriate.

Here's just one more, I promise that will be all the culture for today...He also said, “Every block of stone has a statue inside it and it is the task of the sculptor to discover it.”

I think this is true of our photographs too. Using Photoshop as our chisel, we should be able to manipulate and form just about every image into something of beauty. After all, we must have seen something of beauty in the photo or else why would we have taken it in the first place? Just because we couldn't fully capture the maximum beauty with our camera and lights, doesn't mean the beauty's not there. We just need to work it a bit with our Photoshop tools.

With enough cropping, creative use of filter, brush, and adjustment layers we should be able to release the beauty.

I've attached a recent example that shows this. On the left above, is the mess I started with. I began shooting with only a vague concept of what I wanted. Actually, the theme was something blue. Blue umbrella, blue towel, blue eyes on the top center model.

After about 25 -30 shots of different poses and lighting, I really wasn't "feeling it" so I quit shooting for the night.

I opened the photos to preview and chose this one to Photoshop and began work to "reveal" the beauty trapped within.

Here are the steps and tools I used to go from mess to marvelous...

1. Heavy Gaussian Blur to hide the table and white backgrounds, layer mask to un-blur the face and umbrella.
Not enough, so I went to....
2. Filter - Render - Lighting Effects - Omni to center light on the top model and blacken out surroundings.
Good, but the skin tone of the mannequin is too flat, needs texture
3. Filter - Distort - Ocean Ripple, not bad, but needs more texture still
4. On a copy of the original layer, Filter - Distort - Glass, blend mode to overlay above the Ocean Ripple.
5. Looks good, but needs more intense colors, so on a copy of the Glass layer, Filter - Blur - Gaussian Blur, mid range, then change the blend mode to overlay so it doesn't blur - it just intensifies the color, and reduce to 50% opacity, to tone done the color just a bit.
6. Finally, a bit of playing around with different crops, and...
7. a 50% gray adjustment layer to selectively darken and lighten areas

There were probably 5-10 other good photos I left in that image. I could release them with different cropping and PS tools centered on other areas, but the umbrella, the glass filters that give it a wet look, and her "blue" expression all seemed to work together for this image.

So don't be too quick to give up on your images because they're not exactly what you had hoped for when you held the camera. You've got  a lot of power tools in Photoshop. Much easier than a hammer and chisel.

Release the beauty within! Turn your mess into marvelous!

Shortcuts Are Less Scary

Photoshop can be a lot less scary to work with and a whole lot faster to use when you know a few simple shortcuts.

Here are some commonly used keyboard shortcuts that are frighteningly simple to apply:

Alt-Backspace: will fill any layer completely with the foreground color shown on the pallet

Ctrl-Backspace: will fill any layer completely with the background color shown on the pallet

Alt-Shift-Backspace: will fill any pixel area with the foreground color...great if you've just drawn a shape with the marquee tool or selected a figure with the lasso tool. Could be useful for creating shadows too!

Ctrl-Shift-Backspace: will fill any pixel area with the background color.

And how about two useful text tips...

1. Say you've just created a line of text, but it's not positioned where you want it. You don't need to go out to the Move Tool (arrow). Simply grab the mouse and move the cursor away from your text.
Then, left click and drag your text to wherever you like.

2. You've positioned the text where you want it, but now you don't like the color. No problem. Simply move your cursor to the beginning or end of your text line, left click the mouse and drag across your text to highlight it. Now you can go up to the toolbar and click on colors to alter the one shown on screen.

OK, that's not really big news. But if you found it frustrating that you couldn't SEE the new color you selected because of the highlighting, stay tuned! I have a nice keyboard shortcut for you that will save you time and aggravation.

Press, Ctrl-H to temporarily turn off the visual highlighter so you can SEE your true text color.

That's all for today. See, nothing to be afraid of.

When you have a guide to walk you down the creepy dark corridors of Photoshop, it can actually be kind of fun! Let Photoshop Tip Cards be your great BIG FLASHLIGHT, lighting your path through the scary maze that Photoshop can become.

3 Second Fix for Layers

In the previous post I promised to give you a quick, 3 second fix for changing layers that you drag over to create a composite photo.

Take this photo...please! :)

This was composed of many separate base layers: the 1.dog, 2.the cat, 3.the bird, 4.the sunset over lake background, (one of Scott's, NewPhotoBiz backgrounds) 5.the waves, 6.transparent inner frame, 7.black inner mat...and more.

Getting all those layers to match in terms of color, lighting, texture, etc. can often be a hassle. But with this quick and easy way to adjust one layer, without effecting all the others, your work will be much simpler.

Like most things Photoshop, there are many, many paths one may take to reach the desired end result.

But here is my quick, 3 second fix for layers that that just don't fit. Fit well with the other layers that is.

Rather than do something destructive to the layers you drag in, one of the simplest ways to alter just one layer in your composite starts with duplicating the layer (shortcut, hold down "Ctrl" key plus the letter "J" or Ctrl-J)

Then, change the blend mode on your new, duplicated layer from "Normal" to say, "Overlay" or "Softlight" From there adjust the Opacity of that layer to lighten or darken your subject on just that layer. That's a really quick way to lighten or darken your dragged-in subject to match the surrounding scene -without effecting any of the other layers.

Of course you can also use any of the other layer adjustments too. Filters, lighting styles, blur, you name it.

When you've got it looking just right, you have two options. Leave it just as it is, on two layers.
Or, if you can stand commitment, merge the two layers together. Merge IS advised if you feel you are going to be moving things around. Otherwise, it may be hard to get the original layer and the duplicate lined up later. Certainly, if you don't want to commit and merge them together, you could LINK them together so they move in tandem.

Save Big Time with Cut-Outs

Unfortunately, we can't always get our subjects and our scenes in the same place at the same time.

Thankfully, we have Photoshop to fix that problem!

Case in point, my daughter's husky puppy looks just adorable with this sleigh (from NewPhotoBiz 1.0). Sitting in, rather than pulling it!

Originally, the puppy was photographed outdoors, in the backyard. The background was green grass and bushes.

The challenge was to remove said dog from the green grass to create a clean image that could be transferred to this sleigh scene.

If you've ever tried to cut fur from grass cleanly I know you're going to love this tip. A tip I got from Scott Voelker, creator of the NewPhotoBiz 1.0 program.

(Click On Photo Above for a Better View of Details)

Here it is...use the background eraser tool. The key is to set the parameters. Here's what I use:

Protect Foreground Color...check the box, this allows the eraser tool to cut out (delete, erase) anything that is not the color you select. In this case, I would use the eyedropper to click on an area of white fur to set the foreground color (protection). Sometimes, depending on your lighting and subject, you'll need to keep changing the foreground color you're protecting as you move around your subject. Like here when I cut around her pink tongue, I had to reset my foreground color to match her tongue, rather than her white fur. Then, once past, I returned the foreground color to white to protect her fur.

Tolerance. I set mine here at 50%. This tells PS how close to your foreground color it must protect. Since the fur color does vary a bit in white colors, but is very different from the green grass I want to erase, 50% worked well. However, if you're trying to cut out say a girls green dress from green grass, you might want to work with (set) a little less tolerance, say only a 10% tolerance (or variation) so PS doesn't confuse the grass with the dress and accidentally erase the dress too. Test, use "undo" to go back if you find it's erasing more than you want it to.

Limits. This will depend a lot on what you're working on. For fine detailed cutting in a photo where the colors vary greatly as in this puppy example, FIND EDGES will likely work best. If you have a lot of solid colors, perhaps Contiguous (connected) of Discontiguous (separated) might be faster for you

Sampling. In cutting out hair (or fur) I find that setting it to ONCE works best. Set it to the hair color and work around your subject.

Once you have your parameters set, chose a brush that works best for your situation, I usually start with a feathered brush, and start mouse-clicking that brush around the edges of your subject. If you've done it right, like magic it erases everything from around your subject, yet leaves even the finest hairs and whiskers! You might have to go around again to catch any stubborn areas, or use one of those spikey brushes to get into awkward areas.

Coming Next...Ever drag a subject from one photo into another and then wish you could change something about that layer. Maybe it's too light, too dark, not sharp enough. But you don't want to damage it, or go back to your original to fix it then move it back over?

Quick 3 second fix...next post!

Free Tips, Free Cards, Free-For-All!

Happy Labor Day!

I hope today finds you celebrating Labor Day by not doing much labor!

But instead, having FUN!

Today I want to help you do less work, Photoshop-wise, by giving you time-saving, work-saving tips.

Just a few short tips because I want time off too! And you don't want to spend all your time reading and trying to do difficult stuff today.

So here we go!

Text Tip #1... Normally when you click on the text icon (T), once you start typing a new layer is created. But if you're doing multiple text layers, often you start typing on an old layer where you didn't intend to.

Hold down the SHIFT key while you click on the T to guarantee you'll get a new text layer every time.

Text Tip #2... You often want to see several Font options before you select the one that's perfect for your project. The easiest way to do this is...

Type your text, highlight it, click in the FONT description box on the tool bar to highlight that, then just use the UP/DOWN arrow keys. As you scroll through it will automatically be changing your text.

Catchlights...Need a quick fix for giving life to those "dead" eyes that have no catchlight reflection? In the brush palette choose STAR 14 pixel. It actually looks like a slice of pie. Perfect for adding that sparkle to lifeless eyes.

Open a new layer, choose white for the color, size your brush then click to apply over the eye. Choose a layer blend mode that looks best, (overlay?) vary the opacity and viola! You've got eyes that dazzle!

OK, I promised to keep it short so you (and I) can go play.

But stay with me for this SPECIAL ANNOUNCEMENT!

I know following this Labor Day, many folks will have no job to go back to tomorrow. Layoffs are at astronomical levels. Many folks are wishing they had someway to restore the income they once enjoyed, someway to take care of their families, protect their homes and their health.

If you are one of those people, I have great news! Since you're here I'm guessing you must be familiar with Photoshop. And that leads me to believe you have a camera.

The great news is you need just one more thing (it's not expensive) to create your own Photography Business!

You need Scott Voelker's NewPhotoBiz 1.0

It has everything you need, all the tips, tricks and secret shortcuts for creating a PROFITABLE photography business...this week! Best of all you can download it and get started TODAY!

But it gets even better! To help you along even more, when you click the links on this page to read more and then order NewPhotoBiz 1.0 I'll send you a FREE deck of Photoshop Tip Cards!


Yes...a FREE deck of Photoshop Tip Cards, 52 cards packed with the best and most popular Photoshop edits, tips, tricks and secret shorcuts. I want you to have every advantage as you claim your independence and begin to restore your finances. I want to help you grow your own business so you never again have to depend on some company or boss to toss you crumbs.

Labor for yourself now! Labor for your family! Labor at something that's FUN!

Create beautiful portraits of children and pets in your community. With Scott's program, you'll have everything you need. Including his secret weapon forum described in the previous post.

Remember, to get your FREE card deck, (a $19.95 savings) you must order NewPhotoBiz 1.0 by following the links from this page. That's the only way for me to be notified of your purchase by Clickbank so that I can send you your FREE cards. Click here now to get started.

Get Paid to Play with Photoshop

It's so much fun creating images, we could just sit for hours and doodle away with our Photoshop tools.

(read in this article for a link to some cool water effects you can play with for free!)

But just imaging how great it would be if we could GET PAID to just sit for hours and doodle away with our Photoshop tools?

Well, now you can!

Actually, it's been almost a year now since Scott Voelker released the first product that makes it easy for ANYONE to create stunning images using Photoshop...and sell those images for BIG BUCKS...like the precious dog photo shown here.

I've mentioned his product many times before on my blog (one of the very few products I promote -because it's just so good). It's called NewPhotoBiz 1.0

It's more than just easy to use professional Photoshop templates that you can add your child and pet portraits into (saving yourself $1000's of dollars in props). Although that's a great way to seperate yourself from all the other photographers out there...and charge a lot more for your prints!

And it's more than a business-in-a-box (or now, a business-in-an- instant download!). Even though it contains a complete and proven system for new photographers to get customers.

Here's a little secret he doesn't tell you much about.

The number one thing stopping most amateur photographers from stepping up to the professional level and selling their photos for big profits, is FEAR.

Like most artistic types, we photographers are always asking, "Am I good enough?" "Is my photo really worth $1000?"

Well, not only does Scott give you the digital tools to be great, but his secret weapon is the forum he provides for those who purchase the NewPhotoBiz package.

And here's why that forum is worth far more than the modest cost of the NewPhotoBiz system.

Because it takes away the fear.

Wouldn't your confidence go through the roof if you could have professional photographers critique your images before you presented them to any customers?

And wouldn't your skills grow exponentially if those same professional photographers would offer you their years of experience, their tips, tricks and secret weapons for creating the best images ever, while never compromising your own unique style?

And wouldn't it be great if they did it for free? And how much better would it be if there were lots more "amateurs" there, just like you and you could watch and learn as they have their photos critiqued too? And you could get ideas about what the hot selling photos are. And you could get FREE marketing advice. Or you could just get someone to tell you you've created a really great photograph.

Now that's priceless.

While it's fine to sit and create fabulous images using Photoshop, I'll tell you from my own experience, it's much more fun to GET PAID to do it! When you get Scott Voelkers NewPhotoBiz you get everything you need to make that happen.

But even if you want nothing more than to create the most memorable images of your own children or pets, the modest cost of his program (which includes access to his secret weapon for vastly improving your photography skills...THE FORUM) Scott's program is easily worth 10 times what he charges. Because if you hired a photographer to create just one of the adorable images you can create with the NewPhotoBiz program, you'd easily pay him or her $1000 for just one big wall print.

When YOU get his program, you can create all the photos you want...at a fraction of that price!

Want to be a better photographer? Want to learn dozens and dozens of photography and Photoshop tips? Want to get professional critiques of your work?

Want to know if you're actually good...and how good?

Get the NewPhotoBiz program now and see for yourself... just click here!

Here's just one sample of the great information available when you participate.
It's a link I got from the forum moderator (for FREE!) along with a critique of one of my photos...it has really cool water effects you can add as filters in your Photoshop program.

http://www.flamingpear.com/flood.html

My best Photoshop tip for today is: Get someone to pay you to play!
And that's what you get (and more!) with Scott's NewPhotoBiz 1.0

Cheapest Ring Light Ever!

While technically not a Photoshop tip, I am all about saving you time in your Photoshop edits. And it goes without saying that if you get the light right the first time you'll spend less time fixing it (or adding it) later in Photoshop.

Here in this diagram you'll see the amazingly simple and inexpensive ring light, made from 8 LEDs, that I used to photograph the strawberry in the color-change tip below.

All you need is a set of 10 LED lights that can be turned on continuously ($10+s/h) and a strip of adhesive velcro that wraps around your lens. ($3).

They provide an amazingly bright, even light that wraps around your subject. Really great for macro work. The tutorial said that the white balance might be weird, so I shot in RAW, but when I opened the files, I didn't need to make any color adjustments at all to compensate for the LED lights. (note: in the strawberry color change below, I did boost up the leaf color, yes, but that was because I already had bad color to begin with, not because of the LED light)

Here's a link to the cool website that showed me how to do it, and where to get the LEDs.
(another note: The website didn't say this but, the inexpensive LED supplier is in Honk Kong so, in my experience, it does about 10-14 days for delivery)

http://www.diyphotography.net/studio-at-home-introduction-to-led-lighting

Lots of other great tips there too...so take your time and browse around.

Consider adding these inexpensive LEDs to your camera bag. Used individually, as an additional spot light (highlighting the apple stem) or in groups like this ring light LEDs are
an inexpensive way to custom light your subjects. And so portable and lightweight too!

Let your imagination run wild!

And keep watching this week as I add more links to cool websites (other than my own!) where you can find great tips and inspiration. And more reasons to open up that Photoshop!

And don't forget to visit http://todaysphoto.org to view great scenes from photographers around the world...and get Rick's take on "The Original Photoshop Tip Cards".

Or for even more convenience, you can view TodaysPhoto.org right here at the bottom of this very blog page. Scroll down right now and check it out for your own self!

Easy Watermark Stamp

For maximum time savings it's important to automate as many repetitive actions as we can.

Watermarking, or copyright stamping our photos is one of those chores.

An easy way top automate this function is by creating a BRUSH that actually IS our watermark stamp.

Did you know you could create your own brushes? Not just for watermarking, but for painting or drawing or erasing with any shape you need and can create.

Basically, you use any of the text, shape or photo or drawing tools you wish, select any or all combinations with the marquee tool then choose EDIT-DEFINE BRUSH, choose a name for your creation and say "OK".

To begin, open Photoshop, go to FILE -NEW.
In the pop-up box be sure to check the box to make your background TRANSPARENT. (unless you want it with a white background, if so, then choose that option)

In this example for watermarking or copyright stamping photos, I chose the Copyright symbol from the shapes drawing icon, then added, on another later my name in Palace Script MT (strong).

I then merged the two layers together and used my rectangular MARQUEE tool to select everything together.

Once selected go to EDIT -DEFINE BRUSH. You'll get a pop-up box allowing you to name your new brush. Then, click "OK".

Now, whenever you want to apply a watermark to your photos, simply select your creation from the BRUSH pallete, (just like you would a round brush, but you'll have to scroll to the bottom of the list to find your new brush creation). Pick your brush color, and opacity, and flow then "CLICK" on your photo and like magic your signature stamp will appear.

Use the slider to adjust your signature size just like you would any other brush.

If you feel you want to tilt or make your selection vertical, simple create a new layer over your photo, stamp that with your brush then use EDIT-FREE TRANSFORM to position your brush or size it any way you like. If resizing this way, be sure to hold down the shift key as you resize to preserve the proportions.

Color Change -Quick and Easy 3 Step

Have you ever wanted to change the color of something in your photo, but not change the color of everything?

Here's some simple ways to do that and still maintain all highlights and other lighting characteristic of your subject.

In this example, the leaves needed a bit more color, but I certainly did not want to make everything greener!

First, select the area you wish to change using your favorite selection tool, ie. magic wand, lasso etc. However you do it, get those ants to dance around your selection.

Second, go to

LAYER-NEW ADJUSTMENT LAYER-HUE/SATURATION

...or, LAYER-NEW ADJUSTMENT LAYER-COLOR CHANGE

...or, LAYER-NEW ADJUSTMENT LAYER-SELECTIVE COLOR

Once you say "OK" to the pop-up box, the ants will disappear from around your selection but you will now have a masked layer (allowing changes to occur to only your selected subject).

Third...You may now begin to move the sliders until you achieve the color you wanted. You may also repeat the process (stacking layers), mix or match the color changing options, vary the opacity or lighting since each is on it's own separate adjustment layer.

Taking this a bit farther, you can see that by using the selection tool and LAYER-NEW ADJUSTMENT LAYER, you can selective change a zillion things about your selected subject (anything that comes up as an option under the NEW ADJUSTMENT LAYER).

Now that's a quick and easy 3 step!