Tuesday, August 25, 2009

Glowing Your Own Produce

Yes, that's right! Not growing, but GLOWing your own fruits and veggies.

This fun project can keep you busy for hours. It starts with a trip to the grocery store to buy your subject material.

Begin with the end in mind. What we are going to do is hollow-out our fruit or veggie and then send the flash through it to create the effect of glowing shown here in this golden apple photo.



Apples of all colors work well. Peppers, oranges, eggplant work well too.

Anything with a colorful quality, with a firm and translucent outer skin could be a candidate. It should also be close to or larger in size than your speedlight.

A helpful tip if you are doing apples is to buy a lemon as well.
Apples quickly start to turn brown as you cut out the middle in preparation for the photo, but if you coat the inside with lemon juice it will help keep the apple white much longer. ( if brown it tints your flash-thru in an unpleasing way)

Once home, examine your fruit for its "best side". Next, plan your attack.

The inner fruit must be removed, hollowed-out, to clear the way for the flash to shine through and give it that glow.

In the example here I just cut the fruit in half to begin coring, then used two small pieces of Scotch tape to put it back together for shooting. Next time, I'll not cut in half, but rather have my cut lines at 10 o'clock and 2'oclock on the rear side to better hide the lines from the front camera angle. You may need to touch up a little in Photoshop if your seam or tape can be seen.

You don't have to be perfectly hollow, you don't want to puncture the skin on the photo side.

Once you have both pieces hollowed, take the rear half and cut a rectangular slot (1/2"wide by 1" tall) at the position where your speedlight can shine through as both the apple and flash rest on the table. If you're shooting something like a pepper that is mostly hollow already, you can skip the steps above and just start here with the slit in rear.

Next, place two pieces of gaffers tape over your speedlight to limit the flash to just the inside of your subject. Duct tape will work too. Drape some black material behind your scene (a simple sheet will do) and the set your subject on the table with the speedlight directly behind it. Masked slit to fruit slit. A wireless triggered speedlight offers more flexibility of camera position, but shown here is a basic wired version with camera on tripod.

Next set your focus and take a shot. Tweak.

You can play with the flash amounts, zoom in, zoom out. Higher or lower angle. Compare different surface materials for how they reflect the glow. If you're shooting in mixed lighting consider using camera RAW to more easily adjust the lighting later. The shot shown here was under florescent, normal room lighting.

However, when doing the apple I noticed the stem wasn't getting enough light. So I just spot-lighted it with the LED of my keyring!

Experiment! Be creative! Have fun!

Be sure to click on the photo above to better view details of the set up.

While I don't discuss shot set-ups like this in my Photoshop Tip Cards, the cards sure come in handy for creating the highest quality images AFTER you take your best shot. Spend your time with the camera...not at the computer fixing later. Photoshop Tip Cards offer the fastest path to fine finished photos. Save time by getting your Photoshop Tip Card Deck today!

Friday, August 14, 2009

Makin' Rainbows







Sometimes, we gotta make our own luck!

Rainbows can be pretty elusive. But often times they can add just the right colorful something to our photographs…even if we weren't at the right place, at the right time.

Fortunately, making them is not so hard when you know the secrets!


To begin, create a blank layer above your background image.

Open the gradient tool (under the paint bucket) and then click on the arrow in the top toolbar to open up the different gradient styles. Use the arrow at top right to open another text dialog box with options.
Choose "Special Effects"












At this point you'll have just a few options. Choose the rainbow looking one at the end. It's called "Russell's Rainbow"












Next, click on the rainbow gradient style in the to
p tool bar. It will open up this adjustment dialog box for the gradient filter. Click and drag the "GRAY" slider slightly toward the rainbow colors until "LOCATION" say 75% Click "OK"












One last thin
g before we apply our rainbow, in the top toolbar, just to the right of the colorful gradient rainbow style, click the second black/white icon to make our gradient draw "RADIAL"

Now we're ready to draw.
Whole holding the SHIFT key to make a perfect circle, click and drag a line up your photo. Just as you'd apply any gradient. When you release the mouse and shift keys, the magic appears. A perfect circular rainbow.











Use EDIT> TRANSFORM to create the size you need and move it into position. Once you have it positioned, we'll go ahead and remove the parts we don't want.

You can use your favorite method for removing the unwanted rainbow parts.
I prefer the LAYER MASK method of erasing, just in case I want to reposition my rainbow later, but you can certainly use the ERASER tool as well.












Two final steps you can use to suit your taste.

Apply a Gaussian blur filter to soften the rainbow a bit.
Change the blend mode on the rainbow layer to SCREEN.

But please, as with everything Photoshop, feel free to experiment with all the blend options available to achieve the right look for all your favorite subjects.











A word of caution though. Remember to account for the lighting conditions in your photo if you're going for realism. The sun should be coming from behind your camera position and be less than 45 degrees in the sky. Ideally, the scene conditions would imply that certain mix of sun and moisture that is usually present when we see rainbows.

To have more tips like these sent right to your email, be sure to sign up for my Tip Card Group.
Better yet, don't wait for tips! Get some for your own self ...right now!
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Monday, July 27, 2009

Draw Your Best with Photoshop

Many drawing tools, when used to their maximum potential, can help us get through our workload faster and be more creative too.

Today I'll focus on tips for one tool that's used a lot, the marquee tool, and one that many are unsure of, the line and shape drawing tools.

Let's begin.
How to Draw Rounded Rectangles

Grab the rectangle Marquee tool and draw out your rectangle to size.
Go to SELECT -MODIFY - SMOOTH
A dialog box will pop up. Set the radius to determine how much to round the corners.
Start with 20 for most medium sized rectangles.
Larger sizes will obviously need a bigger radius, small sizes less.
=========================================================
How to Draw Perfect Squares

Grab the Rectangle Marquee tool
Hold down the SHIFT key as you draw for a perfect square
=========================================================
How to Draw Perfect Circles

Grab the Elliptical Marquee tool
Hold down the SHIFT key as you draw for a perfect circle

Tip: If you press the SPACEBAR before releasing any commands
(left mouse button or shift key) you can easily reposition your drawn shape by moving the mouse. Once you let go however, it's harder to adjust.
==========================================================
Draw Circle from the Center Out

To draw proportionally from the center out, hold down the Alt key in addition to the other commands. The circle will begin to draw outward from the start position of the cursor, rather than pull from the edge.

==========================================================
Draw a Straight Line

Grab a drawing tool (its the icon located directly under the TEXT (T) icon).
Choose the line tool, then hold down the SHIFT key to draw a straight line in the foreground color indicated.
( draw by left mouse clicking and dragging across the page)

Draw with other shapes as well, by right mouse clicking on the drawing tool icon, then select the shape. Position your cursor (looks like a +) on your workspace and drag to draw.

Once you get comfortable with the drawing tools you'll notice your speed will increase right along with your creative confidence.

Step-by-step instructions make it easy to create!

You wouldn't try to bake a cake or cookies from scratch without a recipe. Would you?

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The Photoshop Tip Card Deck is your recipe for creating delicious photographs...the kind of photos all your friends and family will drool over! (Now there's a pretty picture!)

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Friday, July 24, 2009

Photoshop Filters - Bring Out the Artist in You

One of my favorite things about Photoshop is that it lets me choose between being a photographer and being an artist.

Being a photographer I'm pretty comfortable with. I feel I can handle a camera as well as most, although I'm constantly reminded by those more seasoned, that I still have a lot to learn. And I accept the challenge.

As far as being an artist? Not so good. I used to dabble at painting...and it always looked like a dabble. From that experience I learned that if I wished to express my vision, I'd better put down the brush and go get my camera.

Now, Photoshop let's me be both!

Truth be told...sometimes I don't take a great picture. Shhhh!

But when I draw upon the powers of Photoshop, that same, not-so-great photo can become a really wonderful piece of art to display.

This one here is an example. Overall, the photo was a decent "snapshot". But it really wasn't as crisp and clear as I would have liked and I wasn't happy with the look of the water.

So here's what I did.

I cut the girl from the photo and added a color-tinted (pinkish) gradient overlay across the water and then lightened the top, right corner to give it a more of a sunset feeling.

Next, I returned the young lady to the photo and then applied a filter over the entire photo that I thought appropriate, Ocean Ripple. (Filter - Distort - Ocean Ripple) Now it had that artsy, canvas look. (which worked really well to hide the lack of clarity!)

With minimal blending, using the non-destructive layer-mask dodge and burn method, the photo was complete. Except for the addition of a complimentary frame, created using the technique found in Fool-Proof Frames.

And viola! In just a few minutes time I changed a so-so photo to a wonderful piece of art!

Photoshop lets you save some really marginal pictures and turn them into something to treasure.

Next time you have a photo that you wished was sharper, better colored, or just lacks that certain something, consider saving it with one of the many creative filters available in Photoshop. Have fun and experiment.

Who knows? Photoshop might let you be an artist too!

Wednesday, July 22, 2009

Worldwide Photo Walk 2009

Last Saturday, July 18th, more than 32,600 photographers set off on foot in 900 PhotoWalk events around the world.

This was the second annual event put together by Scott Kelby and the National Association of Photoshop Professionals.

It's designed to bring pro and amateur photographers together to explore and exchange ideas in communities the world over. Groups of 50 local participants, lead by a team leader, head out on a two hour expedition to take photos within their designated territories.

This was my first event, and although I did not feel I had captured any photos which I should submit for the worldwide prize drawing (2 are allowed from each participant) I did meet some interesting folks...and get a lot of exercise!

My educational discoveries for this week were how to create realistic looking Gold overlays (as shown on the text in the butterfly photo I took on the walk- above) and a reminder to always be sure to sharpen your photos...if not in the camera then certainly in post-processing.

I used to believe there were only two types of photos that could not be saved by Photoshop.
1.Photos that were "blown out", where extreme light areas left no detail, and
2. Photos that were blurry.

I've revised my thinking of late after discovering a plethora of effective techniques for removing, or should I say "correcting" blur. Of course if you sneeze while taking the photo, that kind of extreme blur will be your burden to carry. Sharpening has limits. But if it's that faint fuzziness that means an eye is not too clear, or your image appears a bit hazy...don't just toss it away.

Save it with one of the many sharpening tools available in Photoshop.

Here are a few I've posted previously or included in the tip card deck:
Sharpen with High Pass Filter
Sharpen with Gaussian Blur
The Unsharp Mask

Photoshop Tip Cards are shipping around the world thanks to my readers.

If you haven't gotten yours yet...what are you waiting for!
They truly are, "A Photoshop Seminar in Every Box!"
(only I saved you the high-priced fee...and took all the notes for you!)

There's still time. Start playing with a full deck today at:
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Friday, July 10, 2009

Cut, Paste, Blend with Ease

After posting my parakeet/cat photo I was asked, "How'd you blend the cat into the background so well?"

I'll start by saying that I hate the eraser tool for all but the roughest cutouts. Maybe it's a guy thing, but it seems to involve too much commitment! Once you erase it -it's gone. (except for a lengthy history backtracking)

For most "erasing" I prefer to use a Layer Mask.

While on the active layer (the one you want to blend or "erase")
click on the Layer Mask icon (second from the left on your layers pallet, gray square w/circle). This will create an invisible mask over your image based on the background color currently selected. If you show WHITE as your default background, your mask will appear WHITE next to your image on the layers pallet.

The "magic" is, if you now paint with a BLACK brush while on your WHITE mask, your image will be "erased". In other words you won't see your image through the mask. It is still there, but your mask won't let you see it.

It really becomes a non-destructive erasing. And you can vary the opacity of the brush to better control how much you "erase". Or a better term would be "hide". Lowering the opacity toward the outer edges can help you BLEND your image very smoothly.

Here's the best part for me, you're not committed! If you find that you've gone too far, you can paint with the opposite color to get your image "un-masked". So if you painted with BLACK to hide your image, paint over again with WHITE (the same color as your Layer Mask) to return your image to view. You can vary that WHITE opacity too if you just want to bring a little of your image back into view.

Here's a screen shot of how the parakeet/cat photo was created.

[image]

If you look at the cat, Layer 2, you see the cat cutout and to the right of it is the layer mask (WHITE). Then you see a circle of BLACK that was painted on around the outer edges of the cat, in varying opacities. When you look at the big photo preview you can't see those area behind the black. You only see what I want you to see.
And that is the area in the center, the cat's face -which is still WHITE on the mask.

Using soft-edged brushes, of varying opacities on a Layer Mask can really help you Blend images from one photo to another.

In this photo, in order to make the cat appear "dreamy" (or nightmarish as some would argue!) I simply changed the BLEND MODE to Soft Light at 70% after completing the mask.

Start using a Layer Mask to blend instead of the Eraser tool. You'll gain much more control and better looking images too!

Monday, June 29, 2009

Play with a Full Deck


Just a quick note to let you know...

The full deck of Photoshop Tip Cards in now complete!

Now, you too can become an instant Photoshop wiz!

Now, with your own set of Photoshop Tip Cards, you can plow through a pile of pre-printing processes in no time too!

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PhotographybyChristie.net

Yes...they were designed by me for YOU!
Made right here in Buffalo, NY USA!

"Like a Photoshop seminar in every box"
(Only I saved you the high-priced fees and took all the notes for you!)

Thursday, June 18, 2009

7 Profitable Photoshop Plans

Today I'm going to offer something a bit different.

Every once in a while you have to stop and think, "What's the point?"

Having all these great Photoshop tips at hand is a wonderful thing. But many of us are looking for ways to earn more money in photography. Luckily, the two go hand-in-hand.

You can use everything you learn in Photoshop to begin earning more money from your photography.

Here are 7 tips to get you thinking:

1. Add creative borders to your prints.
There is a reason people put thier most important photos into frames with mattes. It's because they look better! And naturally things that look better can sell for more. Fortunately, adding creative frames in Photoshop is not difficult (I've shown that in a previous post) and best of all it costs us nothing but a few moments of our time.

2. Adjust your exposures, sharpness and contrast
This is a bit basic, most of my readers will already be using Photoshop for post-production touch-ups on their photos. But for newbies, I can't think of one professional photographer, no matter how expensive his camera or how great his skill, that isn't using Photoshop or a similar editing software to create just a little bit better photo to sell his/her client.

3. Add Special Effects
How about adding a little vignette (soft border effect) to your photos? Maybe a little background blurr to make your subject stand out? Some shading? Text perhaps? A little color alteration or maybe add a few morew clouds in the sky? Maybe straighten the horizon. Maybe you want everything to be in black and white except some special feature? These can all help you collect more bucks for your pics with no expense but your time.


4. Cut and Paste your subjects into cute scenes
One of the most powerful features of Photoshop is that you can cut subjects from one scene and seemlessly paste them into another. Scott's NewPhotoBiz 1.0 is an amazing program for doing just that. Putting babies onto flowers, hugging fishbowls, and into washtubs can even allow you to make a great full time income from your photography. With all the different scenes and backgrounds available now, you charge for three or more scenes all from one photo! That's 3x the money!

5. Give your subjects "Extreme Makeovers"
With tools like the healing brush, gaussian blur and sharpness controls you can make skin tones flawless. No more pimples, moles, or scars! Tools like Liquify can turn frowns to smiles or make those big noses smaller. Even suck in those big guts making your subjects instantly look 10lbs. thinner. When you make your client look better than they ever imagined, you my friend are a true professional and will be rewarded accordingly.

6. Design your own business cards and flyers
I had struggled for years with other programs to create business cards and flyers. Boy was I surprised when someone flipped the switch in my brain by telling me that I could use Photoshop to to combine words and pictures (duh!). But until Scott from NewPhotoBiz 1.0 told me I never made the connection to creating business materials. With templates available from Vista Print and others, you can design your own custom materials and save a bundle.

7. Create unique custom greeting / holiday cards
Your profits don't have to end with the photo session. Once your client gets his 5x7's, 8x10's and 16x20's you should be coming back to him often throughout the year with more things to sell him from your original works. Turn those photos into greeting cards like the one shown in todays photo. Thanksgiving and the Christmas holidays should your cue to get a custom card order out to your clients. Offer them postcards, keychains, coasters, tee shirts, golf balls, mugs, water bottles, blankets. None of this stuff has to be pre-ordered by you. There is no expense to you except to make the offer and there are many promotional site that make this easy. Cafepress
is just one site to look at for possibilities. Or start your own store!

Photoshop can be a powerful force that drives more profits into your business. For more ideas on getting the most from Photoshop and photography be sure to check out the other resources at the right on this page, in particular NewPhotoBiz 1.0.

Tuesday, June 9, 2009

Skin Softening with High Pass Filter

Wait a minute!

Didn't we recently do a post
using the
HIGH PASS FILTER
to SHARPEN?


Ah! Do the wonders of
Photoshop ever cease
to amaze?

Yes folks, for my next trick I will now attempt to show you how to soften skin using that high pass filter in another useful way.

Drum roll please...


First off, I had to delay this post for several days because I just couldn't seem to locate a photo that seemed appropriate. Kids and pets are my specialty and neither of them have much use for a skin softening, so I had no stock photos to share and demonstrate. In desperation, I dug deep to find the most appropriate thing I could, "The Princess and the Toad."

Those of you shooting adult portraits and especially teens, will be very happy to have this technique in your toolbox (or better yet in your tip card pack where you can find it!).

So here goes:

1. First up, use Ctrl-J to duplicate your background layer.
2. Change the BLEND mode to OVERLAY
3. FILTER - OTHER -HIGH PASS
You can play with the pixel size here. I found starting at 9.5 is good
4. Use the keyboard shortcut Ctrl-I to invert the layer
Next, dial down the opacity until the skin looks pretty good. Concentrate on the skin texture only, don't worry about fuzzy features like the lips, eyes, hair etc. Will bring 'em back next!
5. Add a LAYER MASK, and paint with BLACK over the detail areas like the eyes, lips, hair, etc. (removing the filter, like an eraser) and watch them return to their original sharpness. You can vary the brush size, type and opacity to fine tune.

So there you have it. The act is complete. All I ask is that you hold your applause and just throw money!

But seriously, if you like what you see here and want more, please sign up for our FREE TIP CARDS if you haven't already, or do click here to request additional packs (of 10 cards ea.) to get the full benefit if you are already a member. We're well on our way to the goal of 52 cards in the full deck now! I'll have a special bonus for anyone holding more than the original10 cards when I get the full deck completed. (You won't want to be caught by surprise holding a short hand!)

Tuesday, June 2, 2009

Photos to Sketch Drawing





















After posting the previous lesson on converting color photos to pencil line art, many of you wrote asking for something better suited to portraits.

Your wish is my command!

Here is the simplest method I have ever found:

Duplicate your image using keyboard shortcut Ctrl-J
or you could also use Layer - New - Layer via copy

Next, desaturate (turn to B/W) the new Layer 1 using
Image - Adjustments - Desaturate

Duplicate Layer 1

On the new Layer 2 go to:
Image - Adjustments - Invert
now your photo should look like a negative

Now change the Blend Mode to Color Dodge
Whoops! Your photo just went all white...
well, that's all right.

We're going to now use the magic to give new life
to your photo...it will now be re-born in sketch form.

Ready?

Apply Filter - Blur - Gaussian Blur

BINGO! The magic sketch appears.
Now wasn't that simple and fun?

For best results, move your slider full left then bring back up until you get the best effect. You can also experiment using motion blur or radial blur in place of gaussian.

Finish up, if need be, by getting rid of any stray looking areas. To get the job done use the eraser tool, paint over with a white brush, or use a layer mask technique, whichever you prefer.

Remember, there's nothing like having all these tips right at your fingertips.

Why interrupt your workflow trying to find some technique you saw once before?

Sign up today (at the top right) to join our Photoshop Tip Card group. You'll get a free set of cards to keep by your computer. Then, within seconds you can be putting great tips like these to use...without having to waste hours searching online!

Sometimes, low-tech is better.
Sign up for your FREE Photoshop Tip Cards today!

Saturday, May 30, 2009

Photos to Pencil Line Art



































Here's an interesting and quick way to turn your photographs into pencil drawings.

Mind you, it works best with images that do not have a lot of texture to them. Textured areas tend to become just messy gray zones rather than lines.

To begin, DUPLICATE your image using Ctrl-J

Next, set the foreground color to black then choose,
FILTER - OTHER - HIGH PASS
and select a very small radius. The best radius will depend on each individual image, but generally it will be under 2. The photo above was done at 1.8.

Next, be sure your background color is set to white and go to:
FILTER - SKETCH - NOTE PAPER
and try setting your sliders to:
IMAGE BALANCE : 25
GRAININESS: 0
RELIEF: 0

Then, go to IMAGE - ADJUST - THRESHOLD and move the slider left to make the lines more defined, more black.

As a final step, use either the pencil tool or the brush, with the color set to white, to remove (cover over) any stray black dots that distract from the image.

It's a quick and easy way to turn your images into interesting line art works.

Friday, May 22, 2009

Memorial Day...Polaroid Moments


















Happy Memorial Day!

As we remember to honor all the brave men and women who sacrifice much, if not everything, for their country - let us also be reminded to appreciate
all the freedoms we enjoy thanks to their dedicated service.

In order not to take anything away from the importance of honoring these heroes of the United States of America, let me just offer you a simple Photoshop, Polaroid style template into which you can place your favorite photos and possibly a caption which has meaning for you.

http://graphicssoft.about.com/od/freedownloads/ht/polaroidframe.htm

Have a great holiday weekend everyone!
Be sure you use your extra time to Photoshop something!